XIANLIANG YE
CV
Xianliang is fascinated by creating visual experiences that spark joy and curiosity. Trained in graphic and 3D design during his studies in GCD at CSM, he later expanded his practice into creative coding and installation-making at RCA IED. He is passionate about using technology to craft compelling visual worlds and bringing them into meaningful dialogue with physical reality.




CategoryProjectYear
Motion DesignDeath Garden2025
Exhibition IdentityRCA IED Graduate Festival Identity2025
Exhibition IdentityA Type of Cemetery2025
Branding IdentityPLAYFROM2025
Logo & IdentityOrig(in)One2025
InstallationCritical Reality2025
Web DesignTCK Web2025
Web DesignSound Arena 2025
Experimental CommunicationEye of Frog2025
Installation木鱼 2024
Experimental FilmRoot Location Unknown 2024
Experimental FilmGODAK 2024
Experimental FilmFish in Finger 2024
Book DesignHow many worlds do we need? 2024
Book DesignOlympic 2024
Performance VisualButterfly 碟2024
InstallationRain Ikebana 2023
Experimental Film Noodlepunk 2023
Character DesignMemento 2023
Experimental FilmWhere did everybody go?2022
Campaign VisualTBWA\Shanghai Change Ready2021
Experimental CommunicationWe are chopsticks2021
Experimental CommunicationHappiness2021
Graphic ArchivesDocumentations-









RCA IED Graduate Festival Identity2025


 Print: Xianliang Ye
 Motion: Xianliang Ye
 Sound: Xianliang Ye
 Design:  Xianliang Ye

Information Experience Design (IED) is a critically innovative programme that adopts experimental design, both physical and digital processes to generate captivating experiences for diverse audiences. This year’s festival constitutes a recentering of communication and interaction; a weaving of interpersonal, inter-machine, inter-species through universal and intimate framework.

The Festival was held within 9 spaces in White City Campus of RCA, each space has a themed collection of works. The challenge was to summarise the intertwined and entanglements of the festival and create an inclusive visual umbrella that covers all themed spaces and works. 

Using the wireframe rotation of colourful san-serif numbers was intended to communicate such inclusivity and diversity. From there, each individual rotation were shaped into symbols that visually expressed the ideas behind every spaces. For the main visual, frames of letters “I”, “E”, “D” rotation, to emphasis the happening is always in process within IED.








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